Visual Choices in Mehra’s Delhi-6 Narrative

On a first screening, Rakyesh Mehra’s Delhi-6 struck me as an awful piece of storytelling. If one walks into it, as I had at the time, seeking narrative plot points that are clear and visible and that are easily navigable, (the way they eventually became in the third and controversial act of Mehra’s previous and … Continue reading Visual Choices in Mehra’s Delhi-6 Narrative