New Yorker on ‘Court’

LINK

In “Court,” a powerful and richly praised new Indian film that is showing in San Francisco this week, the camera has a restful, unblinking gaze. It behaves as if it is filming a documentary, even though the film is a work of fiction. It does not continuously scurry to show faces in close-up or cut away for effect, as one might expect in a courtroom drama. It loves attrition as much as tension. In long, steady shots, it absorbs the unglamorous details of judicial procedure in a single case that unfolds at glutinous pace. The camera’s patience mirrors that of the court, where time appears to be of no consequence at all; a hundred years hence or a thousand, this case may well be trudging along, awaiting a witness or rummaging through its trove of antiquated laws. The film’s stillness and the court’s lack of urgency nearly fool us into forgetting that a man’s freedom is at stake.

That man is Narayan Kamble, a white-bearded folk singer who has been arrested during a matinee performance amid a clutch of tenements in Mumbai. Kamble is ordinarily taciturn, but onstage, after he has been introduced as a “people’s poet,” he is electric with fury. He sings, in Marathi, about the oppressions of class and caste, and bemoans greed and corruption: “Pandemonium is here / Time to rise and revolt / Time to know your enemy.” Kamble is arrested on the charge of abetting the suicide of a sewer cleaner whose body has been pulled out of a manhole. A couple of days earlier, it is alleged, Kamble had performed in the neighborhood and incited sanitation workers to kill themselves in protest of their inhuman working conditions.

for more follow the link..

Advertisements

5 Responses to “New Yorker on ‘Court’”

  1. Hope this releases soon at my end..

    Like

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s