Pynchon’s Blue Shadow (NYRB)

[On Inherent Vice, I definitely agree with the fantastic piece below — one of the best I’ve ever read on an adaptation — that the film is not less than the book. It truly does illuminate aspects of the book for me (and vice versa!) such that I arrived at a deeper appreciation of both. Qalandar]

Excerpt: “Thomas Pynchon’s Inherent Vice (2009)—his extravagantly convoluted version of the private eye novel, set amid the detritus of the end of the 1960s—is the kind of verbal construct that at first glance seems inherently unsuited for filming, certainly not as a widescreen spectacle with an all-star cast. To say that Paul Thomas Anderson has faithfully and successfully adapted it to the screen is another way of saying that he has changed it into something entirely different. Perhaps the novel really was crying out for such a cinematic transformation, for in its pages people watch movies, remember them, compare events in the “real world” to their plots, re-experience their soundtracks as auditory hallucinations, even work their technical components … into aspects of complex conspiratorial schemes.”



Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.