NYT: ‘Masaan’ and Other Indian Films Steer Away From Bollywood Escapism
Not a huge fan of this sort of piece, with its neat (perhaps even imaginary) “before/after” dichotomy, and its lack of any nuance in writing about popular cinema (not to mention the pretty explicit, and inaccurate, classist assumption that the upwardly mobile are leading this revolution; or the notion that being “in tune with the movements and language of global cinema” is the only respectable way — that way lies the illusion that we are telling new stories, about different people, but unfortunately the stories are increasingly being told in the same way the world over), but hey, can’t NOT post this 🙂 — Qalandar
EXCERPT: “At the Cannes Film Festival this year, “Masaan” won the Fipresci Prize, awarded by international critics, and the Promising Future Prize in the Un Certain Regard section, becoming the first Indian movie to receive two awards at Cannes since the Oscar-nominated “Salaam Bombay” in 1988. “Masaan” is the surest sign yet that a fresh crop of filmmakers is ushering Indian movies in a new direction in tune with the movements and language of global cinema.”
Read the complete piece HERE.