An Jo on Fandry


One of the most harrowing sequences/climaxes I have seen in a seemingly ‘off-beat’ film is in Nagraj Popatrao Mangule’s FANDRY [The Pig]. It jolts you to the core regarding the presence/curse of untouchability still prevalent in the remotest villages of India: This is a movie that is Maharashtra-centric and shot near the Ahmednagar area and hence, shakes one’s core more thanks to the irony of the efforts of BR Ambedkar and/or Savitribai Phule.

In one of the most painfully ‘explicit’ but disturbingly shot scenes in – at least – Marathi cinema, is when the family of ‘Kachrya’s ‘ [in Marathi as well as in Hindi, KACHRA means trash; so one gets the drift] untouchable family carries a hung-pig on a bamboo and walks right in front of the images of Ambedkar and Savitribai Phule: It’s a cinematic ploy, but one that is so brutally honest that it hits the solar plexus with a force that one isn’t quite ready to experience: And the reason for that is the writer/director devote almost 30 minutes of this film to the inhuman indecency of a family forced to catch and kill pigs for the ‘betterment’ of the village while the rest of the village watches it as a ‘sport.’ The humiliation and desperation of the boy NOT wanting to be caught by his school-mates and the ‘upper-caste’ girl he has a fancy for putting a noose around pigs is painstakingly captured in the pig-hunting sequence.

The ‘pain’ I encountered after watching this sequence took me back to Doordarshan days when I watched Nasser and Shabana in PAAR trying to cross the river. This was more brutal than that; but thematically, the films captured the same essence. These are ‘lived-experiences’ that one doesn’t really have the rights to write about: What I write about, is NOTHING. It’s not even a minutest fraction of what the folks who experience it day-in and day-out endure. All that I have are words, and words, beyond a point, mean words and nothing else. When Jambvant Kachyra Mane throws the last stone at Patil, I can maybe, thanks to my ‘luck’ of being born in the Brahman caste and having had the luxury of being educated, express feelings and pain, but really, they mean nothing when compared to the ‘lived-experiences’ of folks still caught in the web of oppression.

There is much cinematic brilliance that I can go on and on about thanks to Manjule’s fantastic direction. But I don’t’ want to dwell on that. I think Manjule’s film was meant to be something that struck and shook one at the heart; and I would be doing a dis-service to Manjule’s vision if I were to start dissecting this film as a piece of ‘cinema.’

This is on NETFLIX; watch it for yourself: A highly recommended piece of art that encapsulates life and its cruelty.


17 Responses to “An Jo on Fandry”

  1. Have had this in my queue for a while. Haven’t seen it yet.


    • Thanks for posting this. You should see it. Next on my list is SAIRAT which is also same thematically but much more ‘commercial.’ Unfortunately Marathi movies do not release here and only on some special occasions the DC Marathi Mandal has a one-off screening and other schedule-conflicts always force me to miss these screenings.


  2. Wrote here:
    On the movie – “I am ambivalent about it. I think the movie is not engaging enough.”


  3. “Catching the pig sequence ” elicits many emotions.


  4. I will not ignore this review and willing to admit you have written few amazing reviews here and thanks for all your writings of the past. It’s always good to read about movies where we like so many things but unable to express ourselves and share, but since you have that eloquent writing skills cheers to that!

    This is again a great review and frankly speaking these days the only movies in bollywood which excite me are the truly grounded ones where we get a glimpse of real India and how difficult is for few of us to just get by. I had watched Sairat few months back after Ravish (NDTV) did a full 1 hour show on the movie with the director Nagraj Manjule and the topic drifted then to Fandry which I believe is an earlier movie. I am yet to see this one and hopefully will catch up during winter break when holiday hustle bustle is at its peak and one needs a change to sanity.


  5. Guys do visit this link when you get time. A very real and grounded discussion on indian cinema


  6. Saw Sairat on Netflix and I found the second half brilliant. I was getting bored in first half. It was below average with very low production value (there was no need of one).The real drama starts in second half or rather last one hour. It is nice to see the director didn’t end the movie, just in the love part. The real world was second half when you try to understand the other person.

    ps – I am trying to make sense of the scene where some guys (Bajarang dal kind of people) were beating some young unmarried couples on road. The guy is shown concerned, the girl is indifferent and she kept on driving.


  7. Didn’t know Sairat is on Netflix. will watch it for sire now..Thanks for the info


  8. The other film I would recommend is UTURN [kannada]. It is not as great as his LUCIA but is still worth watching. And you will surely be able track back the hang-over.


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