An Jo on Parinda


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‘Parinda’ released in 1989, was one hell of a crimemovie from the Bombay film industry on Bombay and one that shook and held its audiences by the throat and screamed—albeitcoveredin its veneer of ‘subtlety—a violence so unleashed, that one could feel iteven more after-the fact.
The way Nana’s Anna is introduced, more importantly, the under-belly of Bombay is introduced, is awe-inspiring to-date. Right from the topographical view of Bombay during the initial credits—with a terrific usage of ‘Fanfare for the Common Man’ piece— in its neon-light nights to graduallycutting down onto Nana’s ‘Anna Seth’ office and Rama Reddy (Kamal Kapoor) and Shiva Subramanyam’s ‘Francis’ wiping a knife decorated with blood after killing a non-decrepit man [Vidhu]; director Vidhu Vinod Chopra sets a broody, grimy, and a grisly atmosphere of the metropolis.

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References:
https://www.rediff.com/movies/special/twenty-five–poetic-frames-of-parinda/20200525.htm

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