Archive for the Refugee Category

Has SRK Copied a SRK Look-Alike? (THE CARAVAN)

Posted in Refugee on June 16, 2016 by Qalandar

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Excerpt: “Raju Rahikwar arrived at half past one. The crowd, stunned by the wait under a strong sun, stirred. Raju wore a shiny brown jacket and matching trousers, a red shirt and black sunglasses, with straight black hair parted down the middle and bangs covering his forehead—all meant to mimic the look of Khan himself. He looked convincing enough that many in the crowd, deprived of the real star, gravitated towards him. Some wanted to get pictures taken, so Raju smiled for their cameras. Some wanted autographs, so he signed their notepads. Some wanted to make small talk, so he chatted with them for a while.

All this time, helped by his entourage—his elder brother, his publicist, and two personal guards—Raju edged through the crowd towards the gate. With him, he brought a large gift-wrapped box, protecting it against the jostling of the mob. Inside it was a chocolate cake, which read: “Happy birthday Shah Rukh sir. From Raju.””

Brendan Frazer joins shoot for Rohit Karn Batra’s The Field in Mumbai

Posted in Refugee on June 14, 2016 by Satyam

thanks to Master..
click on poster to enlarge

Hollywood actor Brendan Fraser landed in Mumbai on Monday to shoot for Rohit Batra’s American film in which he takes on the role of an under-the-radar arms dealer based in Delhi.

Brendan Fraser who played Rick O’Connell in The Mummy trilogy and is equally well-known for comedies and fantasies like Encino Man, George of the Jungle, Journey to the Centre of the Earth and Inkheart, as also dramas like The Quiet American and Crash, landed in Mumbai yesterday for an eight-day shoot of Rohit Batra’s American film, The Field. He will start from June 17 and they will be filming around the city. The American-Canadian actor who loves India but is here this time to work, will be in the Maximum City for around 12-13 days before he flies back to the US.

The film is a cops-and-robbers story featuring actors from around the world. Brendan reportedly plays an under-theradar arms dealer settled in Delhi and The Field is the name of the undercover operation.
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The Saddest Song of Them All

Posted in Refugee with tags , , , on June 5, 2016 by Qalandar

This might be the single best piece I have read on Hindi film music; thanks to agyaat and @joycarpediem for sharing (and, I hope Salim is online and sees this post!) — Qalandar

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Excerpt 1: “In Hindi film music, there is too much artifice to arouse pathos: techniques of dramatisation and sentimentality are used to cajole the listener’s sensibility. The problem with Madan Mohan’s ‘Rasm-e-Ulfat’ is that the song hurries the poetry, and Lata Mangeshkar makes it too melodious. In fact, melody is the central problem in Hindi film music; it cushions the effect of sadness, and makes it consumable. A similar problem afflicts a host of Lata songs, from ‘Betab Dil Ki Tamanna’ to ‘Na Koi Umang Hai’ from Kati Patang There is more elegance in songs like ‘Haal-e-dil Yun Unhe Sunaya Gaya’ and ‘Woh Chup Rahe To’, both from Jahan Ara. A gentle air of melancholy pervades ‘Pal Bhar Mein Yeh Kya Ho Gaya’…”

Excerpt 2: “Talat Mahmood and Kishore Kumar are the exact opposite of Rafi and Dey. Talat’s quivering voice is the epitome of sadness. In ‘Phir Wohi Shaam Wohi Gham’ or ‘Zindagi Dene Waale Sun’, he is more involved in the sadness than the singing. But melody chases his despair to prevent him from losing himself completely, and keeps him measured and poised. About Kishore, Zakir Hussain once said the most striking thing ever: When you hear him, you feel as if he is singing for you and you alone. Kishore, perhaps more brilliantly than others, manages to individualise the feeling of pathos, creating an intense, private relationship between himself and the listener. Though he mastered all moods, it is in songs like ‘Badi Sooni, Sooni Hai’, from Mili, or ‘Panthi Hoon Main’ that you find him, completely himself, thoroughly involved in mapping the contours of sadness.”

“The Greatest”

Posted in Refugee on June 4, 2016 by Satyam

Ta-Nehisi Coates Helps a New Panther Leave Its Print (NYT)

Posted in Refugee on March 31, 2016 by Qalandar

EXCERPT: “Most comics don’t generate that much buzz, but then again, most comics aren’t written by Ta-Nehisi Coates, a national correspondent for The Atlantic and the best-selling author of “Between the World and Me,” which won the National Book Award last year. One of the most celebrated authors about race in America writing about a black superhero who has pummeled Captain America and members of the Ku Klux Klan? The collective response from fans of comics and Mr. Coates alike: I’d read that.

The book arrives during the 50th anniversary of the Black Panther, who first appeared in issue No. 52 of the Fantastic Four (and yes, he beat them up, too). Next month, the superhero will make his big-screen debut in Marvel’s “Captain America: Civil War,” with Chadwick Boseman (“42,” “Get On Up”) as the Wakandan royal. And in 2018, Mr. Boseman will reprise his role in the feature film “Black Panther,” to be directed by Ryan Coogler (“Creed”).”

Read the complete article HERE.

Kalabhavan Mani passes away…

Posted in Refugee on March 6, 2016 by Satyam

The mysterious power of old Bollywood LPs

Posted in Refugee on February 1, 2016 by Satyam

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There are few things that put me in such a nostalgic mood than a vinyl record of Bollywood songs from my childhood. I recently discovered it is the same for my elderly aunt, for whom records from the 1950s bring back a mixture of precious and painful memories.
My family has few historic mementos.

We have no furniture or jewellery passed down generation after generation. Both my mother’s and father’s families lost what few belongings they had in the terrifying rush to escape the violence of Partition in 1947.

So when I need a reminder of my origins and history, there’s only one experience I can readily turn to for familiarity and comfort. On a shelf in my flat is a collection of roughly 50 LPs, or records, etched with several generations’ favourite Hindi songs from classic Bollywood films.

Some came from my parents, who bought them in New York City’s Indian district after they emigrated in 1974. Others I’ve bought in charity shops around London. I even found an Indian LP in a dusty antique shop in Casablanca.

I love the shape of records – the smooth, round thinness of them.

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