Archive for Kabir Khan

Qalandar on BAJRANGI BHAIJAAN (Hindi; 2015)

Posted in the good with tags , , , , , , , , , on July 25, 2015 by Qalandar


Excerpt: “Everyone deserves a second chance, and in retrospect, Ek Tha Tiger was the appetizer to the main course that is Bajrangi Bhaijaan: and a damn good meal it is (and, it must be noted, one not without some Andhra spice, written as it is by K. Vijayendra Prasad, a man credited with more blockbusters – including the continuing phenomenon of Baahubali — than most have hits). By now everyone knows the plot — good-hearted Hanuman bhakt Pawan Kumar Chaturvedi finds a mute Pakistani girl lost in India, and resolves to cross the border to re-unite her with her family — but let’s pause to acknowledge that this itself is a welcome relief from the nauseating flood of routine love stories packaged as something different; or the clothes, fashion, and lifestyle ads that masquerade as films in Bollywood. And then there is the question of the social milieu the film is set in: I found myself rooting for the fact that this film isn’t populated by people toting D&G and acting as if progressive cinema consisted of ripping off off-beat American filmmakers, rather than plagiarizing other sources. In Bajrangi Bhaijaan, people take the bus, eat at dhabas, drink tea from roadside stalls, not because the director is trying to tell us something (in far too many contemporary Hindi films, these representations would mean either that we are talking about the hinterlands of UP and Bihar, with crazy violence sure to follow; or that it’s a question of a film about some “them”, made for some “us” that is assuredly not “them”), but because that’s simply where his characters live and how they commute to work. It’s delightful because it’s so normal. (That I have to make this point at all testifies to the sad pass the industry has come to.)” Continue reading