Archive for qalandar

Cobrapost’s Operation Karaoke

Posted in the ugly with tags , , , , , , on February 22, 2019 by Qalandar

On a lighter note, one of the more striking aspects about this affair for me was that anyone is willing to pay for these folks’ opinions!  🙂  – qalandar

“In an investigation, Cobrapost exposes three dozen Bollywood celebrities who are ready to promote a political party by posting favourable messages on their social media accounts to help create a buzz in the run-up to 2019 elections, all for money. Among these celebs are directors, actors, singers, stand-up comedians and dancers: Noted playback singers, Abhijeet Bhattacharya, Kailash Kher, Mika Singh and Baba Sehgal; actors Jackie Shroff, Shakti Kapoor, Vivek Oberoi, Sonu Sood, Amisha Patel, Mahima Chaudhry, Shreyas Talpade, Puneet Issar, Surendra Pal, Pankaj Dheer and his son Nikitin Dheer, Tisca Chopra, Deepshikha Nagpal, Akhilendra Mishra, Rohit Roy, Rahul Bhat, Salim Zaidi, Rakhi Sawant, Aman Verma, Hiten Tejwani and spouse Gauri Pradhan, Evelyn Sharma, Minissha Lamba, Koena Mitra, Poonam Pandey, Sunny Leonne; comedians Raju Srivastava, Sunil Pal, Rajpal Yadav, Upasana Singh, Krushna Abhishek and Vijay Ishwarlal Pawar; and choreographer Ganesh Acharya and dancer Sambhavana Seth. This is almost who’s who of the entertainment industry, both film and TV.

While we saw all these celebs succumbing to the lure of money and agreeing to indulge in this unethical and unlawful practice, there were some notable exceptions, though. When we approached Vidya Balan, Arshad Warsi, Raza Murad and Saumya Tandon with our proposition, these celebs chose to go by their conscience and straightaway refused to play ball.”

Read the complete piece HERE

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The Universalist (NYT Mag Profile of Asghar Farhadi)

Posted in the good with tags , , , , , , , , , on February 2, 2019 by Qalandar

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Asghar Farhadi, the most successful director in the history of Iranian cinema, may have little interest in global politics, but global politics are interested in him. On Jan. 27, 2017, less than a week after “The Salesman,” Farhadi’s seventh feature film, was nominated for an Academy Award for best foreign-language movie, President Trump signed Executive Order 13769, more commonly known as the Muslim ban. Under its terms, citizens of seven Muslim-majority countries, Iran among them, were barred from entering the United States for 90 days — apparently the time it would take the new president to figure out “what the hell is going on.” For Farhadi, a connoisseur of human particularity whose nuanced, open-ended films about the cultural fault lines within Iran have been embraced by audiences around the world, Trump’s order was an offense both moral and intellectual. Continue reading

What the Movies Taught Me About Being a Woman (Manohla Dargis in the NYT)

Posted in the good with tags , , , , , on December 1, 2018 by Qalandar

“I was a movie-struck kid, and I learned much from watching the screen, including things about men and women that I later had to unlearn or learn to ignore. I learned that women needed to be protected, controlled and left at home. I learned that men led, women followed. And so, although I loved Fred Astaire, I merely liked his greatest dance partner, Ginger Rogers. I was charmed by her sly smile and dazzled by the curve of her waist as she bent in his embrace. But I saw her as a woman in the great man’s arms, a message I didn’t learn just from films. … In the wake of Harvey Weinstein and #MeToo, I have been thinking a lot about what movies have asked me to dream, including the image of the forced kiss and all that it signifies about women and film. I’ve been thinking about what else I learned from them.”

 

Read the complete piece (embedded clips et al) HERE

Nicole Kidman Married Tom Cruise for Love — and Got Protection

Posted in the good with tags , , , , on October 18, 2018 by Qalandar

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Excerpt: “…That said, I got married very young, but it definitely wasn’t power for me — it was protection. I married for love, but being married to an extremely powerful man kept me from being sexually harassed. I would work, but I was still very much cocooned. So when I came out of it at 32, 33, it’s almost like I had to grow up.

Of course I’ve had #MeToo moments — since I was little! But do I want to expose them in an article? No. Do they come out in my work? Absolutely. I’m open and raw. I want to have my well of experience and emotion tapped into, used — and I’m not just talking about sexual harassment. I’m talking about loss, death, the full array of life. But it has to be by the right people so it’s not abused again. I’m making a movie with Charlize Theron and Margot Robbie about Roger Ailes. [Kidman is playing Gretchen Carlson.]” Continue reading

Aravindha Sametha trailers (updated)

Posted in the bad with tags , , , , on October 2, 2018 by Qalandar

thanks to Sanjana…

Continue reading

Bollywood Connection in Trump Hacking Story (NY TIMES)

Posted in Refugee with tags , , , on September 21, 2018 by Qalandar

Excerpt: “At least 19 of the hackers’ targets were senior officials or prominent citizens of the U.A.E., including diplomats whose emails have previously been leaked to the public. At least 15 of the targets are senior officials or diplomats from Egypt, a close ally of the U.A.E. and a foe of Qatar. Among the Egyptian targets was Gen. Abbas Kamel, now the director of the Egyptian Intelligence Service and previously the chief of staff to President Abdel Fattah el-Sisi. … The Bollywood targets — including the stars Aishwarya Devan, Anushka Sharma, Meghanna Raj and Nikki Galrani — suggest the hackers may have been fans, the lawyers said. “My guess is this was a frolic of the hackers,” Mr. Wolosky said.””

Read complete article HERE.

Qalandar Reviews MANMARZIYAN (Hindi; 2018)

Posted in the good with tags , , , , , , , , , , on September 16, 2018 by Qalandar

This review contains spoilers.

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LINK

Manmarziyan opens with a shot of the Golden Temple, the sort of thing that in recent times has been one of the lazier clichés in Hindi cinema: if Sikhs are involved (and sometimes even when they aren’t), Amritsar’s sacred shrine is a given.  However, the vantage point here is a bit different, enabling the viewer to take in not only the iconic building, but also an incongruous neon sign perched on top.  One is almost tempted to say it doesn’t belong, except that in India, it sort of does.

That opening shot, if re-visited after the end credits have rolled, tells you a lot about director Anurag Kashyap’s aims in taking up one of the most hackneyed Bolly-genres of all – The Love Triangle – and in trying to give it his own twist.  That is, Kashyap scrupulously adheres to the genre’s conventions in several respects Continue reading