Scorsese to restore an Indian classic

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Martin Scorsese, the director of American classics Mean Streets, Raging Bull, Taxi Driver and Good Fellas, and one of the founding members of World Cinema Foundation dedicated to the preservation and restoration of film classics, has decided to take up the cause of Uday Shankar’s dance-ballet on celluloid, Kalpana.

Many Indian filmmakers, including Sanjay Leela Bhansali, consider Kalpana to be the ultimate cinematic dance extravaganza. The 1948 black-and-white classic is written and directed by Uday Shankar (Pandit Ravi Shankar’s brother) and his wife Amala.

There’s no full and complete print of Kalpana available in India.

But now the World Film Foundation is going to take over the job of making Kalpana viewable across the world. Actor-director Satish Kaushik, who recently met Scorsese in Dubai, confirmed, “Martin Scorsese has definite plans of restoring Uday Shankar’s Kalpana. I saw The Mummy, a 1969 Egyptian film that has been restored.

It was fantastic work. Scorsese said he was keenly interested in restoring Kalpana and his company, World Cinema Foundation, was on the job.”

Commented Sanjay Leela Bhansali, “To me, Uday Shankar and his Kalpana are the greatest legacies of dance and dancing. I’ve seen the film, though the negatives are destroyed. Martin Scorsese taking the initiative to restore Kalpana is a major event in Indian cinema. It’s a pity we don’t seem to respect our classics as much as the foreigners.

So many of our classics like Kangan, Kismet and Sant Tukaram have been destroyed and need to be restored. My own negatives of Khamoshi: The Musical have been destroyed.”

14 Responses to “Scorsese to restore an Indian classic”

  1. May be he should start by restoring a modern day ‘classic’ -Kites which has been suffering in the cans for an endless period and might need some TLC before it can be shown.

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  2. “Martin Scorsese taking the initiative to restore Kalpana is a major event in Indian cinema. It’s a pity we don’t seem to respect our classics as much as the foreigners.”

    A better Bhansali comment as far as any I’ve come across. In general this is par for the course as far as Scorsese’s efforts go.

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  3. masterpraz Says:

    Coool!! P.S: SHUTTER ISLAND looks awesome

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  4. scary awesome!? praz!

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  5. Good ! at least someone is ready to do the Job! No one in Bollywood is going to restore those classics anyway! Bollywood just ignore legendary work & ppl. Dev Anand is the classic example of it at Screen Awards. Its very shocking that they didn’t consider him worthy of front row and made him sit in back somewhere.its quite an insult to the yesteryear’s star like him. if i were him i would have left immediately.Poor Guy !
    May be Scorsese should take all Indian classics on hand to restore. that would be a huge project for him.

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  6. wow music to my ears…kalpana is the film which inspired satyajit ray to compose the famous ghost dance sequence in Goopy Gyne Bagha Byne…i have seen parts of the film (it was shown earlier in DD3)…it is a masterclass in crafted tableau and imagination…just goes on to show how we treat our own masters…nobody earlier thought of restoring this masterpiece…i don’t want to cynical but somehow in the midst of superficial media blitz we are forgotting our own heritage…people debate passionately about actors/directors of new guru dutt version (i mean not necessarily in this forum only) but how many of us raise a voice to restore dutt’s own classics…what about chetan anand’s films or as a matter of fact bimal roy’s?…i could not sit through bandini the other night because of the extremely poor print…ray’s sikkim is propbably lost for ever, i don’t know…we don’t even get to buy adoor whose work is recent to say the least…we must confess one thing…we can say ourselves to be a developing economy but don’t know how to archive…those who have money will never do this in india…i doubt if a director like karan johar who is certainly not short of money will ever even restore any of his father’s initial films…if they decide to restore they deconstruct them by making laughable colour versions…

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  7. This is the best news that I have heard in a long time.
    Perhaps it will open the eyes of many in the Indian cinema to do likewise to *all* the classics of Indian cinema.

    @pinake de
    >but how many of us raise a voice to restore dutt’s own classics

    I did raise my voice yesterday in the thread about the film, that Arun Dutt should better restore the prints of his father’s films.

    I have felt very frustrated (I understand your frustration over Bandini print) with so many of these old gems that I would readily join any petition to anyone to do the needful.

    Hats off to Scorsese!!!! May his tribe increase!!! 🙂

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  8. PS:
    >famous ghost dance sequence in Goopy Gyne Bagha Byne…i have seen parts of the film (it was shown earlier in DD3)…it is a masterclass in crafted tableau and imagination…

    True. It is as you say.
    I love this triology of Gopi and Bagha. Very satirical, even though the second one “Goopy Bagha phire elo” was considerd a children’s film and given the National award for Best children’s film.

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    • old gold, i went back at your posts on guru dutt and saw that you did made that point…i didn’t note that…i thank satyam for the wonderful work that this blog has on old single theatres…it deserves a proper archived site to say the least…i have not seen anybody who have earlier undertaken this work…are you listening satyam?

      at old gold> a minor correction…the first part is called goopy gyne bagha byne while the second part is hirok rajar deshe and the third part goopi bagha fire elo which is actually directed by sandip ray, his son although the music and screenplay remained that of ray himself…you are right about the satirical part though, but they can be read as an allegory too…

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  9. @ Pinake De
    Yes, you are right. Thanks.
    I have both of these DVDs in front of me (because I don’t know Bangla), to copy the name and switched the names.

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