Remembering Agatha Christie (Pranay)

from her website:

Top 10 Agatha Christie books :

1. And then there were none:

Ten people, each with something to hide and something to fear, are invited to a lonely mansion on Indian Island by a host who, surprisingly, fails to appear. On the island they are cut off from everything but each other and the inescapable shadows of their own past lives. One by one, the guests share the darkest secrets of their wicked pasts. And one by one, they start to die…

Possibly her most famous book, and certainly the most adapted, Christie used different endings for the novel and her stage adaptation, giving the stage version a happier ending. The Boston Transcript wrote, “For absolute horror and complete bafflement Agatha Christie’s And Then There Were None, takes all prizes.” It has been filmed five times.

2. Murder on the Orient Express:

Travelling on the Orient Express, Poirot is approached by a desperate American named Ratchett. Afraid that someone plans to kill him, Ratchett asks Poirot for help. Sadly the very next day Ratchett’s worst fears become reality, when he is found dead in his cabin, a victim of multiple stab wounds. With nothing but a scrap of paper to go on, Poirot must piece together Ratchett’s identity before he can establish which of his fellow passengers murdered him.

The film version of this novel was made in 1974 and won an Oscar for Ingrid Bergman. At that time it was the most successful British film ever made, grossing profits of more than £20million.

3. The Thirteen Problems:

“What class of brain succeeds best in unravelling a mystery?”

Raymond West – The Thirteen Problems

Such is the challenge Miss Jane Marple’s dinner guests set themselves: who can solve the latest problem presented each Tuesday Night? Why have they never been solved before? Perhaps because this is the first time Miss Marple has heard them.

The Thirteen Problems (1932) first published as The Tuesday Club Murders in the USA, marks Miss Marple’s first appearance in print. In her autobiography, Christie says she chose six people whom she thought might meet once a week in a small village and describe some unsolved crime. She started with Miss Jane Marple, “the sort of old lady who would have been rather like some of my grandmother’s Ealing cronies – old ladies whom I have met in so many villages where I have gone to stay as a girl”.

Six of the problems were first published in The Sketch magazine in 1927 and 1928. Colonel and Mrs Bantry who later appear in The Body in the Library, were first introduced in two of the final seven stories in this collection, specially written for book publication.

4. Endless Night:

Gipsy’s Acre is a truly beautiful upland site with views out to sea and, for Michael Rogers, it stirs a child-like fantasy. He wants to settle there, amongst the dark fir trees. Yet, as he leaves the village, a shadow of menace hangs over the land. This is the place where accidents happen. Perhaps Michael should have heeded the locals’ warnings: “There’s no luck for them as meddles with Gipsy’s Acre.”

The novel was adapted for the screen and released in 1972. It starred Hayley Mills and Britt Eklund. Agatha Christie was unhappy with the attempt to enliven the plot by infusing the movie with sexual scenes. Both Christie and her husband claim in their respective autobiographies that the novel is among their favorites due to the “twisted” character who had a chance of turning good but instead chose evil. The book is dedicated to the author’s relative Nora Prichard, who first told the author about a field called ‘Gipsy’s Acres’ on the Welsh moors. The title of the novel is drawn from the Romantic poet William Blake’s Auguries of Innocence, of which a key line is ‘Some are born to Endless Night’.

5. The moving finger:

Lymstock is much like any other English village. Those that live there enjoy the peace of rural life until a series of poison pen letters destroy the safety they took for granted. When one villager commits suicide and another is murdered, the village is plunged into suspicion and terror. Once a village of trust, now all inhabitants are on the brink of accusations. Who could be writing the letters and why? Perhaps Miss Marple might be of help…

Christie considered The Moving Finger to be one of her best novels. ‘It is a great test,’ she added, ‘to re-read what one has written some seventeen or eighteen years later. One’s view changes. Some do not stand the test of time, others do.’ She employed the use of a young male narrator. We see events unfold from the view of Jerry Burton who is recuperating whilst recovering from an accident. Christie has been praised by critics for her believable male narrators and arguably Jerry is one of the best. The Moving Finger has successfully been adapted for television, first with Joan Hickson as Miss Marple and more recently with Geraldine McEwan in the ITV adaptations.

6. Ordeal by Innocence:

While serving a sentence for killing his mother – a crime he insisted he didn’t commit – Jacko Argyle dies in prison. Two years later, the man who could have supported Jacko’s alibi suddenly turns up. It appears that Jacko was innocent… and that the murderer is part of the surviving family.

The novel was first published in 1958 by William Collins Son & Co. in London, and in 1959 by Dodd, Mead & Co. in New York. It was filmed in 1984 by Golan-Gobus Productions in England starring Donald Sutherland, Sarah Miles and Christopher Plummer. The film adheres closely to the novel. The New York Times described the novel as one of Christie’s most engaging works. “Characteristically surprising, trickily constructed and yet firmly based in character…”

This book is dedicated, “To Billy Collins with affection and gratitude.” It was he who lured Christie from the Bodley Head, which published her first six books, to Williams Collins Sons & Co in 1926. Now known as HarperCollins this company is UK publisher of Christie’s books to this day. An adaptation of tihs novel was broadcast, with the addition of Geraldine McEwan as Miss Marple, in 2007.

7. Crooked house:

Three generations of the Leonides family live together in a large, if somewhat crooked looking, house. Then the wealthy patriarch, Aristide, is murdered. Suspicion falls on the whole household, including Aristide’s two sons, his widow – fifty years his junior – and even his three grandchildren. Could any member of this seemingly devoted family have had a hand in his death? Can Charles Hayward, fiancé of the late millionaire’s granddaughter, help the police find the killer and clear his loved one’s name?

Christie always acknowledged this novel as one of her favourites. She said in an interview in The Sunday Times that she enjoyed best writing the Crooked House type novel, “which depends on a family and the interplay of their lives.”

8. Towards Zero:

What is the connection between a failed suicide attempt, a wrongful accusation of theft against a schoolgirl, and the romantic life of a tennis player? To the casual observer, apparently nothing. When a houseparty gathers at Gull’s Point, the seaside home of an elderly widow, earlier events come to a dramatic head.

Robert Graves, author of I Claudius, was a neighbour of Agatha Christie’s in Devon during the Second World War and the two became friends. Christie dedicated this book to Graves: “Dear Robert, Since you are kind enough to say you like my stories, I venture to dedicate this book to you. All I ask is that you sternly restrain your critical faculties (doubtless sharpened by your recent excesses in that line!) when reading it. This is a story for your pleasure and not a candidate for Mr Graves’ literary pillory!” The book was dramatised by Agatha Christie and Gerald Verner. It was adapted for TV in 2007 with Geraldine McEwan as Miss Marple.

9. A murder is announced

A murder is announced and will take place on Friday October 29th, at Little Paddocks, at 6.30 pm.’

So appears the invitation in the Chipping Cleghorn Gazette.

How exciting! The villagers expect a game. A crowd gathers. The murderer is chosen. The victim falls. Then the lights go out…

It’s suddenly no longer a game when a body is discovered. How could this happen? Where did the game go wrong? Fortunately Miss Marple is on hand – the greatest player of them all!

First published in 1950 by William Collins, A Murder is Announced is considered a classic in crime fiction with some considering it the best of all the Miss Marple novels. More than a simple murder mystery, this is a story of redemption.

CV Terry said, “Here’s a super-smooth Christie – three neat murders in an English village only faintly shadowed by the reign of Attlee, the customary constables very amusingly winded and Miss Marple always a good stride in the lead. It goes without saying that most readers will guess in vain, though the author lays her facts scrupulously on the line, along with an assortment of her famous red herrings, all beautifully marinated.”

It was adapted for the stage by Leslie Darbon, opening in London at the Vaudeville Theatre in 1977. A Murder is Announced was the first Miss Marple to be adapted for the screen back in 1956 with Gracie Fields in the title role. Joan Hickson revived the role in 1986 for the BBC and in 2004 Geraldine McEwan played the role for ITV.

10. The murder of Roger Ackroyd:

Poirot is called to upon to investigate the murder of Roger Ackroyd, a man with an intriguing story. He’d been courting Mrs Ferrars, a wealthy widow, who had recently died of a suspected suicide by overdose. To solve the murder of Roger Ackroyd, Poirot realises he must delve deeper into the circumstances surrounding Mrs Ferrars’ demise.

The New York Times said of this book, “There are doubtless many detective stories more exciting and blood curdling than The Murder of Roger Ackroyd but this reviewer has recently read very few which provide greater analytical stimulation.” It was filmed for television with David Suchet as Poirot in 2000.

Source: LINK

which one is your favourite, if there are any Agatha Christie enthusiasts?

23 Responses to “Remembering Agatha Christie (Pranay)”

  1. Pranay, I haven’t read Christie more or less since my teens so I’m relying on memory here (though I have revisited some of the movies from time to time) but Roger Ackroyd seemed to me to have the most ingenious solution as did Orient Express (though this was absurd as well!). Among other ABC Murders, Sad Cypress, Death on the Nile come to mind as particular favorites. Coincidentally at one point last year I suddenly got into the mood to ‘own’ all the books and located a seller on ebay who basically shipped me the cheapest possible editions on 99% of the books (I wasn’t interested in the plays). But I haven’t read anything since. Sifted through the box. I love old ‘cheap’ editions of paperbacks with all the artwork and so on (another thing we have lost along with Bombay movie posters!). Hope to read something at some point but it is most satisfying to have the collection!

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  2. thanks satyam..
    on occasion of 120 years of christie (1890 -2010) 🙂

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  3. I’m a bit nervous now.. Oldgold will say Austen had more readers..!

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    • Hahahaha satyam.
      Well she did have a head start of a century plus.

      Agatha Christie is a writer very much loved by me, and is among my top favourites (JA is not in the list, she is a separate entity 🙂
      If I say anything about her it will only be gushing praise as she has provided me with hours and hours of pleasurable reading especially during summer holidays. But our last discussion has tired me out, and I’m happy to read sm’s comments which are far more articulate than mine would ever be. 🙂

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  4. Thanks for your views satyam. I had the oppurtunity to read one of Agatha Christie’s masterowrks yesterday and thought of surfing on her on the internet. as you mentioned, Roger Ackroyd is certainly one of my favourites because of the ingenious plot and the shocking ending. Her strength I believe, always lies in providing all the unanswered solutions towards the end of her books.

    Murder on the Orient Express is also one of her best works, possible one of my two favourites when it comes to building tension and its pacing. Yes, the climax was absurd. You may call it surprising but somehow it didn’t gel well.

    Talking about my favourite, its and then there were none, hands down.. According to me, no mystery has come close to its ingenious and baffling storyline; with a perfectly logical end. This was also one book which scared me to bits; perhaps her most disturbing book

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    • sharathchandra Says:

      Completely agree with u…”And then there were none” might be the best mystery novel ever..I do not think even the most intelligent person could guess the culprit..

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  5. “If there are any Agatha Christie enthusiasts”? I think my “enthusiasm” for Agatha Christie exceeds Satyam’s for Abhishek! 🙂 I could write a blurb/analysis like that in the above article for every single one of her books, but since I want to leave the post length record intact for Satyam, I won’t bother.

    Her genius was in her plotting, as everyone acknowledges; but her characterizations and social observations were also super sharp and on the spot, and these qualities are less acknowledged. She was compared unfavorably to her contemporary Dorothy Sayers for her lack of “style.” But whose books are still thriving now? I once read a collection of mystery stories by Sayers; what was interesting about them was, that the “problem” in almost every case was one that Christie herself had treated in a story or novel. But invariably, Sayers’ solution of the mystery was far fetched, wildly improbable, or feeble and unsatisfactory, while Christie’s were consistently logical, realistic, and completely satisfying to the soul.

    Unfortunately nowadays many if not most people are only familiar with her works through the films based on them, which in most cases are complete travesties (similar to Austen). After her death, her family seemed to go on a rights selling spree, selling off rights to one novel after another to any and all comers, with no regard for how they would treat the source work. Christie herself wasn’t anal about maintaining the “purity” of her original material when it was translated to stage or screen, but I think even she would cavil at gross misrepresentation. My dislike for the Weinstein brothers started long before Miramax was a household word, for the way they completely distorted one of her best novels, Appointment With Death. It wasn’t so much that they messed up the mystery — that I could tolerate as par for the course — but they completely inverted Christie’s own respect and affection for the people of the Middle Eastern countries, their cultures, and religions. They inserted a totally gratuitous, stupidly stereotypical, and offensively racists scene where the female lead goes chasing after someone and ends up in an Arab market (a scene that incidentally wasn’t even in the book — the market, I mean), and had her leered at by physically deformed, repellantly gross and dirty Arab men, who then proceed to auction her as a slave! My disgust for this knew no bounds, and I avoided any film by Miramax because of this incident for several years.

    Her best work IMO was in the 1930’s through 1950’s, because at that time she was successful, but not so extraordinarily so as to influence her writing. In later years, when her novels were routinely translated into dozens of languages and sold in almost every country, her publishers insisted that she reduce any character illustrating dialogs, especially avoid any idiomatic constructions which might puzzle the translators, and eliminate any reference to a particular setting, and focus only on the mystery and its solution. Is it any wonder that her books then became “dry” and “without style”? She became a victim of her own success.

    I actually don’t agree with that top ten list at all. True, there are some of her best, like And Then There Were None, and The Murder of Roger Ackroyd, and A Murder is Announced and The Moving Finger are charming enough (the latter, especially), but the rest are not up there (though they would top the list for any other author). I would include the aforementioned Appointment With Death, Death in the Air (it has a fatal flaw in the plot that Christie only found out about afterwards), the ABC Murders, Sleeping Murder, The Man in the Brown Suit, The Secret Adversary, and two delightful story collections of “series” detectives, Parker Pyne Investigates, and the Tommy and Tuppence collection, whose name I can’t at the moment recall. The latter is very interesting because each story in the collection has the lead pair following the methods of a leading fictional detective of the time, most of whom are no longer current. And of course there is The Labors of Hercules, to give a modern mysterious spin to Greek mythology, and Death Comes as the End, set in ancient Egypt (at the time of the pharoahs). Another of her Middle East novels is Murder in Mesopotamia.

    Ah, I have to go now, and this post is already very long, but I’ll be back to add more! 🙂

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    • That was a very informative piece, sm.. thanks.
      Agree with everything you say, especially about the characterizations and social observations.

      another part i like about her is her novels were readable for people of any age.. unlike many authors in the same genre, I don’t think she ever resorted to show the murders or killings as brutally over the top. Profanity was also something which she had always avoided.

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    • Thanks sm. I share your views.

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    • mksrooney Says:

      thnks i didnt know any of above yaar, m interested in ur more stuff 🙂 thnks

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    • Oh love, love Agatha Christie! The perfect companion for whenever you need a pick-me-up or a rainy day. I have all of her works including what she wrote as Mary Westmacott of which more later.

      What I find most interesting in her works is her immense practicality regarding the nature of homo sapiens, cynicism even, if you will. She just goes in there and tears apart all kinds of pre-conceived notions you may have about a certain set of people. And she’s especially scathing on the whole issue of love which, more often than not, is such an integral part of her plot lines. This appears drawn very much from her life experience (in terms of her marriages, etc.).

      As Mary Westmacott, she’s even more scathing about the depressing nature of relationships that seem almost inevitably to succumb to temptation. I’d say that she was supremely realistic—happily ever after almost never happens :-)—compromises, temptations do!

      I agree about her stories based on archaeology in the Middle East as being some of the most interesting and authentic in terms of the description of the milieu drawn as they were from her first-hand knowledge via husband no. 2.

      As far as adaptations of her work in another medium are concerned, I saw ‘The Mousetrap’ in London on stage several years ago and loved it.

      For those who haven’t come across them, I’d recommend Georgette Heyer’s non Regency works set in the first half of the 20th century. There’s a similar sensitivity in portraying characters without the underlying cynicism that characterizes Christie and a great wallop generally, about the mystery at the end, like Christie.

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      • Ah, you beat me to it in talking about the Mary Westamacott novels! Though they are dubbed “romances” (why? because they are written by a woman?) they are really more than that, and are more in the line of human relationship stories. But what I wanted to say about them was that, even though they are not mysteries, there is still a kind of mathematical structure to the novels, which prevents them from being fully successful as literary works, IMO. The only book for which that comment doesn’t apply (or doesn’t apply as much) is Absent in the Spring, which Christie herself says was the most satisfying book she ever wrote. She wrote the whole novel in three days. She began on a Saturday (after working all week in a dispensary — this was during World War II), and by Sunday night knew she couldn’t and shouldn’t stop writing, so she sent an excuse to the dispensary on Monday and finished writing it Monday night. On Tuesday when she went in to work, she looked totally spent, and everyone was concerned that she was ill, but she was blissfully happy. I think it is a great psychological study, though I like The Rose and the Yew Tree for its insight into village politics. Again, a very good character study.

        If you read her autobiography, it is amusing to see how various incidents from her life are incorporated into her novels. One of the Mary Westamacott novels (whose title I’m blanking out on at the moment; perhaps Suhan can fill it in for me) can be thought of as a kind of “rehearsal” for her autobiography, since it covers pretty much the same ground. And, for those wondering about the breakup of her first marriage and her famous “disappearance”, this novel gives more insight and details than her autobiography does.

        Her nonfiction book about her time in Iraq/Syria/Jordan working on her husband’s archaeological digs is also very delightful. It is called Come, Tell Me How You Live. It may be out of print now. But if you can get it, I would recommend it very highly.

        A few other random novels to recommend (I am giving the U.S. title, with the British title in brackets):

        13 At Dinner (Lord Edgeware Dies)

        Poirot Loses a Client (Dumb Witness)

        What Mrs.MacGillacuddy Saw! (4:50 from Paddington)

        The Pale Horse — this has the distinction of solving an actual murder mystery. 🙂 When the police were baffled by a series of deaths at a factory in England, someone working on the case remembered the symptoms mentioned in this book, realized that they were the same as the victims’ in the real case, and concluded that the method of killing was the same, and cracked the case (I am deliberately not giving details, so as not to spoil the book for the first time reader).

        Really, pretty much every book that she wrote during the 1930’s to 1950’s period is very good. The books featuring Mrs. Ariadne Oliver (an alter ego for Agatha Christie herself, in a self-mocking way) are also quite fun.

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        • OK, I looked it up. The autobiographical novel written under the Mary Westamacott nom de plume is Unfinished Portrait.

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        • Thanks SM for all that. Clearly time to revisit the Mary Westmacotts, it’s been several years since I read them. I remember, though, being awfully disillusioned about life in general after going through them!

          I do have her autobiography that I filched from a friend aeons ago and ‘Come tell me how you live’. I enjoyed the latter being a history buff and harboring illusions in my youth [pronounced just like Joe Pesci did in ‘My Cousin Vinny :-)] of painstakingly brushing away at precious artifacts with a microscopic file!

          I have an especially soft spot for her Miss Marple stories—they’re so totally devoid of any illusions regarding human nature but presented in such a matter-of-fact manner that is in itself quite disconcerting when you think about it. And ‘Dead Man’s Folly’ with the blue-haired Ariadne Oliver is one of my favorites. The Tommy and Tuppence one you were talking of earlier, was it ‘By the Pricking of my Thumbs’? That’s another favorite too.

          Anyway, this was great—never expected to discuss Agatha Christie in a blog that’s mainly about Hindi cinema! Cheers 🙂

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    • sharathchandra Says:

      ABC murders can be termed as a precursor to serial killer novels which became quite popular during 90’s..It is one of the best Christie mysteries…I loved TV adaptations starring David Suchet..It started with her short stories and then her novels..It is still going on…I am a big fan of the title music of that series for her short stories..But they changed that music for her novels though…

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  6. Thanks Pranay for posting this and initiating a lively discourse….
    @sm, waiting for ur long essays ….

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  7. mksrooney Says:

    @ pranay… than i do recommend sherlock homles as first before u read anything else
    on other books.. not a sheldon fan.. (i just can start his books, to be honest i dont know why! )
    m a big jeffrey archer fan, though and also ROBER T LUDLUM and ofcourse JOHN GRISHAM AND STEVE MARTINI (legal thrillers)
    my favourite being NOT A PENNY MORE NOT A PENNY LESS, BY ARCHER
    i like.. kane and abel,
    sons of fortune,
    street lawyer,
    time to kill,
    the judge,
    compelling evidence,
    presumed inncocent (also a movie with harrison ford),
    and many more.. just cant remember them
    but i have liked ANGELS AND DEMONS, da vinci code also

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  8. You guys have come up with overwhelming stuff about the lady which I could not have written anyways. Honestly there’s so much more to the lady’s works beyond the basic premises; so much which can be discussed in retrospect with her best works.. from the characters established to the setting to motives to methods of murder.

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  9. rooney, I never managed to go through any John Grisham book. would like to know your feedback on his books

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  10. Agatha Christie’s unpublished notebooks revealed
    November 22, 2011 First Published: November 22, 2011
    Last Updated: 2011-11-23 08:11:53

    Agatha Christie might not be spinning nail-biting mysteries anymore, but her legacy has left enough to inspire literature on her. Christie expert John Curran has released the mystery queen’s unpublished notebooks, Agatha Christie: Murder in the Making.

    Published by HarperCollins, Agatha Christie: Murder in the Making, is the second volume compiled from Christie’s unpublished notebooks, which were discovered in her home in 1973.

    According to Examiner.com, readers get a new glimpse into the mind of Christie’s famed Belgian detective in “How I Created Hercule Poiot,” a newspaper essay that Christie wrote in 1938. Curran also adds an early draft of Christie’s 1942 Jane Marple story, “The Case of the Caretaker’s Wife,” that later provided the basis for her novel Endless Night. Present, too, is “The Man Who Knew,” an unpublished story Christie later expanded into her 1924 work, “The Red Signal.”

    Curran includes the courtroom chapter from Christie’s first Hercule Poirot series novel, The Mysterious Affair at Styles (1920), which Christie later deleted at her publisher’s request. Also present are her notes for a final novel which was never written, reports Examiner.com.

    Christie enthusiasts sure have lots to look forward as they get a sneak peek into the life and letters of the author.

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    • I bought this book, but I must say it’s been a sad disappointment. I thought I was going to get Christie’s working notes on her various books and stories, but instead I got a kind of diary of the writer, and how exhaustively he investigated the chronology of the notebooks, since most entries were undated. I guess he got bitten by the detective bug, because there are endless details of how two successive entries in one notebook are/are not in the same color of ink, how her handwriting changed over the years, so, by comparing the writing samples from her personal letters and the notebooks, and those to the publication dates of the novels, he can reconstruct the dates of a particular note — I mean, who cares?! Not me, at least. I wanted to see how her mind worked out the myriad details of her intricate plots, and got nothing. I got more insight into her working methods from her autobiography.

      Sorry to vent, but I haven’t had any place to get this off my chest for the past few months! 🙂

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