My Review of KAI PO CHE (Hindi 2013)

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KAI PO CHE directed by Abhishek Kapoor is based on Chetan Bhagats novel THE 3 MISTAKES OF MY LIFE. While I haven’t read the novel itself, the films initial posters and promos gave the distinct vibe the film was a cross somewhere between ROCK ON!, DIL CHAHTA HAI and RANG DE BASANTI but set in the city of Ahmedabad.

The film revolves around 3 friends Ishaan (Sushant Singh Rajput), Omi (Amit Sadh) and Govind (Raj Kumar Yadav) who open up a simple sports shop in front of a temple compound. The story initially takes us through the trials and tribulations the youngsters have to face to get the shop up and running (including weighing up whether to open a “old shop” or open up something “new” in an upcoming shopping mall). Omi’s uncle (Manav Kaul) helps out the youngers with their finance and the three get the shop up and running.

Ishaan spots talent in a young local school boy Ali, who he believes has it in him to become a National level Cricket star and decides to train and back him. Govind in the meantime, takes a fancy for Ishaans sister who he’s been teaching, while Omi, becomes further embroiled with his Uncles political party.

The movie moves at a near seamless pace with the exception of two essential, yet very crucial scenes which cause a disruption; the first is the Earthquake and the second is the communal riots. How this affects their friendship, community and lives forms the crux of the movie.

The tone of the film is closer to Rakyesh Om Prakash Mehras RANG DE BASANTI than say DIL CHAHTA HAI and ROCK ON! which is what sets the movie aside. The film moves at a lucid pace, and director Abhishek Kapoor delivers another brilliant film after ROCK ON!, and this is clearly a much more serious film that tackles some extremely gritty issues. While ROCK ON! was more of a “feel good” film, KAI PO CHE on the other hand is more heavy-handed and leaves the viewer thinking.

The backbone of the movie is its three central performances.

Sushant Singh Rajput is an absolute natural in the role of Ishaan. He’s given the central role in the film and he shines right through to the end frame.

Raj Kumar Yadav who plays Govind has given the best performance from the trio. Here’s an actor who will essentially go a long way with the right roles. His silent expressions, subtle nuances and very natural expressions linger long after the show is over.

Amit Sadh doesn’t have too much impact in the first half, but his character does a full 360 in the last 30 minutes of the film, and Sadh relies more on silent expressions to leave a mark.

The chemistry between the three leads, and essentially, how they enact their very different characters is what makes the movie stand-out.

Amrita Puri is great as Raj Kumar Yadavs love interest, and Manav Kaul stands out as Amit Sadhs Uncle (specially in the latter half of the film).

Bringing to the big-screen subjects like natural disasters and communal disharmony is never an easy feat for any film-maker (and specially doing justice to it) however Abhishek Kapoor takes strides forward as a director. Films like DEV, PARZANIA and FIRAAQ have all dealt with the issue of the Gujarat riots before in different ways, and KAI PO CHE stil manages to stand its own ground in front of these great films.

The first half of the film does a very clever job at building the film up in a very natural way, and although you kno</em>w where its heading, it’s the handling of the second half of the film which leaves the viewer with a lump-in-throat feeling.

The actual riot scenes, whilst they don’t actually decipher that much bloodshed, the disturbance is in the nature of the violence it implies, which again makes KAI PO CHE a cut above the rest.

Anay Goswami (cinematographer), Amit Trivedi (music) and Deepa Bhatia (editing) are exceptional in their relevant fields and paint an unforgettable film on celluloid. The city of Ahmedabad comes to life in all its glory on the big-screen and the detailing of the smaller aspects of the film, keeping in mind the different time stamps, is just remarkable.

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KAI PO CHE is not only one of the best films of 2013 (I know the year has just started), but one I believe, we will call a very important film as the year ends. And one that already deserves multiple viewings! Must-see!

Prashant Harish Hari

41 Responses to “My Review of KAI PO CHE (Hindi 2013)”

  1. The year has began on a good note. Some good movies are coming out. Will this movie be as lucky as barfi in bo terms?

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    • masterpraz Says:

      Only time will tell whether it does a BARFI type of turnaround.

      I enjoyed SPECIAL CHABBIS a lot a few weeks back as well, and now KAI PO CHE (with RACE 2 crossing 100 CR)…so not a bad start by any means….

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  2. Zila Ghaziabad, Kai Po Che, the rest of the box office


    thanx for this well-structured piece Misterpraz
    (assuming u may not be a ‘master’ even now lol-jokin)

    since i cant read novel(la)s and (wont read bhagats book even if i could)–
    im still curious to know what folks feel about–

    how much of KPC & 3I was the bhagat guy and how much were hirani & kapoor…thanx

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  3. Parzania, Firaq great films ??? hmmmmm…Kuch bhee !!!

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  4. How about the music?

    It is a regional film in hindi. Will it touch the north Indian audience? Can they empathise?

    Even the title is strange for many. I first thought it is the names of 3 friends. Then wiki helped me to find the meaning.

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    • u have never flown kite in ur life ?? u shud visit ahmedbad sometimes during kite flying, i will teach u to speak

      “kai po che”

      “lapetttttt”

      “kapyooooooooo”

      “ae ghar jaaaaaa”

      “Surti manjooooo”

      check out this dedicated pic SS from myself, during my college days

      Kites and Uttarayan!

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      • Though I never flew kites in Ahmedabad, I used to watch with my friends who enjoyed flying kites on the balconies. They were all non gujaratis and thus I missed those shouts of joy in gujarati. To be precise drive in near gurukul road. There were gujjus too but our noise was more.

        I saw the link and it was nice to watch all those names on the kite. Missed some names.

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        • it’s two – three years old kite 🙂

          I stopped kite-flying after college.

          Drive-in is a lovely place near gurucool. You might like this post :

          Sunset Drive-in.. Ahmedabad

          ps: nice to know your groups noise was louder 😀

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        • You wrote so beautifully about drive in experience. Saw some nice movies. There used to be a library which I used to frequent regularly.

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        • @ rooney–thanx for that interesting post —didnt know about that unique drive-in but sounds an awesome experience…
          Have only come across one such in the miami beach but obviosuly didnt hang around- to see a movie(!!) there lol

          “There used to be a library which I used to frequent regularly.”
          Lemme suggest something to u2–y dont rooney and sanju meet up at that ‘library’ to share their experiences haha. Rooney should invite her there.

          btw this ‘library’ bit reminds me of this track by rdb -enjoy folks

          trivia-this ‘library’ is apparently a ‘church’ in simla–hav been to this beautiful place –ex summer capital of india
          also has st beeds girls college–preity zinta being one of those ‘students’ 🙂

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        • Oh nice to know you caught some movies. Drive in is indeed a unique experience… i dream of seeing movies with my children and passing on the tradition of my family of watching the movie in a drive in 🙂 with entire gujju family, thepla, athela marcha, khakhra, khaman, dhokla, khandvi etc

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  5. “I first thought it is the names of 3 friends”
    haha rofl sanju–a guy called po?
    we should ‘grow up’ and try to read some good stuff by arpanam uncle/aunty on the other thread….(rather than wiki-ing…) hahaha

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    • nuvvu repu ra.

      neenu nale baa

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      • These are some examples of titles in regional languages which will not make sense for the folks in murshidabad, panchkula or even Indore. though they may sound exotic.

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      • “nuvvu repu ra.
        neenu nale baa”
        ha what does that mean. hope these arent abuses…but they sound cute…

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        • It means You come tomorrow in telugu and Kannada. But pronouncing them the right way will be difficult if you do not know the language. If it is written in devnagari script, then it will be somewhat easy. Thats how Naseeruddin shah and others can speak their dialogues in their south movies. Or they may get help from people who know both the languages.

          Doordarshan announcers used to pronounce southern movie titles in such a way that they had many south indians in splits.

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        • “It means You come tomorrow”- Thanx sanju but where should I come? And Im trying to set u up in that ‘library’ with good boy Rooney–so not now… Cheers
          🙂
          Ps: did u actually ‘study’ in that library lol

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  6. I have been noticing this a lot that people (mostly in the West but sometimes even in India) think that they are very smart when they make fun of Spielberg and De Palma. Some of these folks make such idiotic comments that the likes of Tarantino and Bigelow are better than them. God help such folks

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  7. This movie has no soul. It’s just a narration of events. Enough said.

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  8. Manja on the other hand is a great song.

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  9. Lol @alex @miami Beach.. if u visit this part of the world, do come to enjoy the drive in experience 🙂

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  10. haha rooney–thanx–if/when i visit..
    ps–keep it up…
    “i dream of seeing movies with my children and passing on the tradition of my family of watching the movie in a drive in”–haha rooney already talking of ‘kids’ hoho
    over2sanju

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  11. omrocky786 Says:

    Let me start by apologizing publicly for what seems to be a criminal sin these days among the Twitterati: I have absolutely no bias against Chetan Bhagat. Judging by everything I read in my timeline it feels like I should, because everyone with a brain does, so I do feel entirely inadequate here, but… well… I just have nothing against the guy. I read Five Point Someone and actually found it much better than the movie
    http://dolcenamak.blogspot.ca/

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  12. rockstar Says:

    SPOILERS AHEAD:

    pretty nice review and very well written and one can see why bhagat now himself is modelling when every tom dick and harry is right there to exploit brand name of his and term it its own creation

    essence of book is intact but they have inverted the climax and made it more melodramatic with death

    business, cricket, religion along with generation gap and love is again essential part of the story telling much like book but some departure as probability is best left to books in bhagat’s world…so there is no injured realistic ali here…vidya never leaves govind and romance is more in a hurry and ali didn’t get more sophisticated training whic h makes his rise looks fantacy since his mentor didn’t made it due to lack of it and politics but abhishek kapoor has the courage to touches on the political angle with both godhra as well riots and in terms of issues it certainly touch on more subjects than someone like three idiots and also a slightly better film but never goes deep and took the escapist route

    to be fair a book had close to two hundred sixrty odd pages but in screen you have only hours …..a fair attempt neverthless

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  13. rockstar Says:

    aside on the book one was wondering why bhagat was not to keen on revolution which has the potential to be massive grosser in a way cinematic adaptation will be better than three mistake and two states and one see this :

    http://www.glamsham.com/movies/scoops/12/dec/20-news-film-on-chetan-bhagats-revolution-2020-to-kick-start-post-kai-po-che-121208.asp

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    • Rev. 2020 is itself inspired from Sudhir Mishra’s Hazaaron Khwaishein Aisi

      Like

    • rockstar Says:

      and sudhir mishra recently made a movie called inkaar on same “inkaar” with what one can call inspiration and genuineness

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      • I have seen both the films and Mishra’s film has got absolutely nothing to do with the ’78 Vinod Khanna- Sriram Lagoo film of the same name (which btw was a ‘copy’ of Kurosawa’s High and Low)

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        • rockstar Says:

          i am not talking about vinod khanna’s inkaar but here refrecence is if god is banker by ravi and both mishra and bhagat got inspired from that and one can see that in inkaar and in revolution

          hazaron khwaise aishi itself has been inspired from some of the popular tales of emergency

          in art and literature inspirations is always there

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        • Hazaaron Khwaishein Aisi was not just inspired but based and dealt not only on the Emergency but also on the aspirations of people in Bharat of 70’s. Just read abt your book and thanks for recommendation. But in any case Hazaaron released much before (book came out in 2007 and the film in 2003) Subramaniam’s book. Inkaar is based on sexual harassment and has got nothing to do with the plot of Subramaniam’s book

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        • rockstar Says:

          My reference was inkaar and revolution not hazaron in context of god is/was banker and indeed there have been numerous work of fiction on aspirations of people. During emergency but I consider hazaron as inspiration much like revolution which got inspired by books to real life events and even cinema…

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        • rockstar Says:

          And ya sorry for typos …..its a big headache when one is writing a bigger comment from phone

          Aside its not fair to dismiss each and everything just for inspiration and to be fair kpc is more original to book compared to 3 idiots

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  14. rockstar Says:

    even kai po che in terms of story telling … climax and gist certainly reminds of refined version of same as inspiration but it dealt with again bigger subject and like mistake set up is outside any metros

    five point someone has the elements taken from popular masala cinema which bhagat himself admits and so in most of his book as inspiration….

    he is not a genuine but certainly his book as indian masala which will work in silver screen

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  15. sanjana Says:

    Actor Raj Kumar Yadav, who has portrayed the character of Govind in “Kai Po Che!”, says he was earlier rejected for the same role.

    He admits he was only chosen once casting director Mukesh Chhabra came on board.

    “Many people wouldn’t know that earlier when it (the film) was with Excel Entertainment, there was another casting director and I had auditioned for the role of Govind and I was rejected.

    “After that when Mukesh bhai came on board, a list was given to him that these people have auditioned and they are not to be called, my name was also there in it,” Raj Kumar said here Friday at the Andheri Wassup fest.

    “But hats off to him, he believed that I could play Govind and he called me and told me, ‘You are my Govind, you will play it.’ That really helped me, that boosted my confidence,” he added.

    Chhabra was also present here with another “Kai Po Che!” actor Amit Sadh for an interaction with the students on the importance of casting.

    Amit is also all praise for the process of casting.

    “The best thing about films today, other than the fact that we are giving great cinema, is that a (proper) process of casting has started. For outsiders who come from different cities, it is tough as they don’t know where to go, whom to meet. So I think these are great times,” he said.

    http://www.india-forums.com/bollywood/hot-n-happening/31363-when-raj-kumar-faced-rejection-for-kai-po-che.htm

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